tag:blogger.com,1999:blog-7192227531617038362.post4491695227637898455..comments2024-03-18T13:21:38.338+00:00Comments on A Place Called Space: It's all lies, by Natassa PoulantzaEirenehttp://www.blogger.com/profile/05350820845130506117noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-7192227531617038362.post-60132765322630681162016-07-19T08:16:03.118+01:002016-07-19T08:16:03.118+01:00I'm not convinced either, but I enjoyed lookin...I'm not convinced either, but I enjoyed looking at the images and trying to work out which artist each image was 'after'. Not much on Poulantzas on the internet and even less on this exhibition, so no answers to your questions. Well spotted about the photographers being unacknowledged - I had missed that.Eirenehttps://www.blogger.com/profile/05350820845130506117noreply@blogger.comtag:blogger.com,1999:blog-7192227531617038362.post-14158549192735118382016-07-18T18:31:01.996+01:002016-07-18T18:31:01.996+01:00I am intrigued by all this appropriation: painting...I am intrigued by all this appropriation: paintings and photographs - to what purpose? I'm interested to know what made her choose the particular paintings, people, and combinations. Why Nina Simone with Lichtenstein, or Nina Simone with a gun? The work looks very attractive and clever, but really it's the power of the originals - especially the photographs (I see the photographers remain unacknowledged) which make the most impact.<br />You will have guessed that I'm not convinced; but you have intrigued me about the artist about whom I shall try to find out more. Thank you.Olga Norrishttps://www.blogger.com/profile/10554469124546960971noreply@blogger.com