Monday, 25 August 2025

Francesco Poiana



Terre senz'ombra, by Francesco Poiana at Messum's, Cork Street, London.

During our last trip to London we went to the Royal Academy and then popped into Messum's as their exhibition looked interesting.

Lands Without Shadow, is the translation of the title of these works by Poiana. Lands without shadow is a phrase used to describe a state of openness, a land where truth abounds because there are no shadows in which falsity can hide. 

These paintings are joyous, communicating lived experience through emotional responses to colour. The focal point is light - specifically the period of fleeting illumination between night and day - and the beauty and physicality of form created by the meeting of colours. The works are an explosion of exuberant, contrasting, almost Fauvist colour that define the landscape and eliminate darkness. These are not literal landscapes, but terrains shaped by perception, intuition and memory. At times, the images seem to slip beyond representation, moving towards the abstract.




La Casa del Vescovo, 2025, (carborundum print)




Speccio d'aria (triptych), 2025, (carborumdun print with hand colouring)




L'ultima Luna, 2025, (carborundum print with hand colouring)




Materia Dell'ombra, 2025, (carborundum print with monotype)




Salina Pink and Magenta, 2022, (mixed media)




Salina Orange, 2022, (watercolour and gouache on paper)




Shoreline Salinas, 2022, (watercolour and gouache on paper)




Salina Notte, 2022, (acrylic on paper)




Salina Sunset 1, 2022, (watercolour and gouache on paper)




Salina High Tide, 2022, (oil on canvas)




La Linea del Tempor. 2025, (carborundum print with hand colouring)




Saturday, 23 August 2025

At Nicholas

Sunset




 
at Nicholas tis Schinousas in Glyfada.



Then it got dark.



Sitting right by the sea. Had a lovely meal.



Had company the whole time.




Got home, and as I was turning the key of the outside door, saw this baby lizzard. Have not seen one of those since the days when we used to go to Kouvelles in Evia.

 

Wednesday, 20 August 2025

A Life Through Reading

I am in the process of sorting things, clearing things out, and I found this post that I wrote for my reading group blog a while ago, and I thought I would reproduce it here.


                                        My mother reading - this photograph was taken when she was in medical school.

My mother is sitting in an armchair by the stove in our home in Athens. I am six or seven years old, sitting on a stool at her feet and I am listening to her reading to me 'Les Malheurs de Sophie' by the Comtesse de Segur - she is reading it in French. I love the stories by the Comtesse de Segur, and my mother has read them all to me. In this particular story, Sophie has had a package delivered and is so excited she cannot wait to have it opened. A beautiful, wax doll is unwrapped and I am as excited as Sophie, at the same time wondering what a wax doll looks like: it is a mystery, but oh such an intriguing one.



The second major landmark in my reading is a few years later, I am 14-15. The reading is still in French, but I can do it myself now even though my mother guides my reading and we talk about the books and poems I have read. I am obsessed with French literature, poetry in particular. I have discovered Baudelaie and Rimbaud and what a discovery their poems are! Baudelaire appeals to my adolescent angst and Rimbaud helps me soar to unimaginable heights. My love of Rimbaud has never left me and when at University I find a fellow admirer in my friend John, who is a writer and poet himself now, and when John  goes to France he brings me a photograph of the young Rimbaud - it still hangs in our sitting room today.

This is also the time of my political awakening and I am very interested in the Greek Civil War. I feel proud that one of my mother's brothers joined the partisans: he was their messenger, going from camp to camp on his skis delivering messages. When captured by the government forces he is sent to one of the arid Greek islands where partisans are sent on exile. There is one particular novel that I enjoy at that time, called 'Abyss Street, 0 number' about the conditions on these arid islands that I lend it to one of my school friends. She returns it the next day saying that her father forbids her to read it because it has swearwords in it. I am puzzled, but now I understand that it must have been the political content of the book that he disapproved of.  Another favourite is Z by Vassilis Vassilikos.

The next major landmark in my reading is when I become a feminist in my early twenties and I start devouring everything that women have written on the subject: Mary Woolstonecraft, Germaine Greer, Shulamith Firestone, Robin Morgan, Betty Friedan, Kate Millet, Marge Piercy. I love them all - it is like a door has opened and everything makes sense now.

The other major reading at that time is my discovery of the English 19th century novel. The favourite is Jane Eyre, and I read this novel once a year throughout my twenties, but I devour them all: Elisabeth Gaskell, Emily Bronte, Charles Dickens, Thomas Hardy. I get totally immersed in the Victorian period, and by then I am living in England so I start collecting antiques and visiting houses and museums to feed my fascination.

By this time I am at university studying Sociology and I very quickly know what it is I want to specialise in, namely Marxist theory and in particular, the work of French philosopher Louis Althusser and of Nikos Poulantzas, who is also based in France. I choose the courses I take carefully so that I can study their work and my French comes in handy here, as I am able to read some of Poulantzas' books that have not been translated into English yet.



The next great love is Margaret Atwood who I discover in my late thirties, and this is the beginning of my reading contemporary literature which is what I mainly enjoy to this day. My voracious reading of literature comes in very handy when I start teaching, as the majority of what I teach, with the exception of A Level Sociology, is English Language and Literature for GCSE and A Level students. All of this time, I continuously re-train myself in literature.

When I stop teaching I start to indulge my other interest which is art. I take two evening courses at Warwick University, and indulge this love by reading a lot about art and by the  writing of this blog. At present, my main interest is modern art, same as in literature. This reaches further, the antiques are all sold or given to charity shops, and I am into modern, modern, modern. This can be seen in my choice of ceramics, another passion, which are all contemporary, as seen in the posts I post.

These are the major landmarks of my life of reading and they have helped shape who I am.


Monday, 18 August 2025

Art in the Park



Just before coming to Greece we went to Art in the Park in Leamington. It's a first, as we're  usually in Greece by August.




We could see all the tents from across the river




We started with Mill Gardens - lots of tents/stalls 



and lots of people.




The food and drink tents were near the entrance so we started looking at those first




people were already eating even though it was still early.




On the stage, a band were performing







The Barbara Robjant abstracts are very pleasing













Next, the Heather Miller paintings










We left the Mill Gardens and crossed the bridge to get to Jephson Gardens where the rest of the Fest was going on




the river as peaceful as ever




Lots going on in Jephson Gardens





including Music Lessons, the first one being free




Adventures in Material and Space for the kids




and lots of other activities for children and young people.




The food and drink section was busy










long queues




and lots of people listening to the band on the stage





Bryan B. Kelly paintings
















Sanna ceramics



















Pottery by Deloise







The park was full, everyone enjoying themselves




and some entertainment




More pottery




Doodles by Luke Crump










and someone having their portrait doodled




Nicholas Marsh ceramics







Claire ceramics


















We listened to this band while we were having some lunch




and so did lots of other people




Then looked at some of Sara Huxley's paintings







wandered around some more








looked at Claire Brown's smoke fired ceramics








 and eventually headed home.