A Place Called Space: August 2024

This is a favourite walk of ours, but quite challenging in the heat

Past hotel Orloff which has been here for ever

some streets are so narrow - they are called sokakia in Greek

a nice front garden

They must get good views from those balconies

winding round, going up ...

Some gorgeous houses here

a lot of steps - it was 38oC that day and the sun unforgiving

stopped to get a view of the sea

and then continued

you come to bits like this and you think it's a dead end, but there's almost always a turn

We had arrived at the Koundouriotis mansion, the house of a man who is inextricably bound with the island's history.

While it seems tiny and low-key, overachieving Hydra holds a privileged place in Greek history. The fate of Hydriots has always been tied ot the sea, which locals have harnessed to their advantage time after time. Many Hydriot merchants became wealthy running the British blockade of French ports during the Napoleonic wars. Hydra enjoyed its glory days in the late 18th and early 19th centuries, when the island was famous for its shipbuilders. Hydra's prosperity erarned it the nickname 'Little England'.

As rebellion against the Turks swept Greece, the island flourished as a safe haven for those fleeing Ottoman oppression. When the Greeks launched their War of Independence in 1821, Hydra emerged as a leading naval power. The harbor, with its twin forts and plenty of cannon, housed and protected the fleet of 130 ships. Hydriots of note from this period include Andreas Miaoulis who led the 'firebrands' and their deadly 'fireships', which succeded in decimating the Ottoman navy; and Lazaros Kountouriotis, a wealthy shipping magnate who donated his fleet to the cause. This is where he lived, also donated to the island, a museum now.

You get spectacular views of the whole town here - not only of the port

but parts of the south side

and as you walk around the terrace you get a panoramic view - the large building in the middle is our hotel

zooming in

the rugged hills in the distance

the east side - look at that bourgainvillea

If you want a tour of the inside of the museum go here

After visiting inside, we left the museum

and continued on our way

bourgainvillea and oleander - what an entrance to a house

and less than five minutes later arrived at the house of Panayiotis Tetsis, a post-impressionist painter. We have visited his house before, but if you want to have a look inside, go here You can also see some of his work here

It is less than one minute walk to get to the house where Leonard Cohen lived.

The street is so narrow it's impossible to take a proper shot of the house,

just snapshots of bits of it

To continue with the story of Hydra. Greece won its independence, but at a great cost to Hydra, which lost many of its merchant-turned-military ships to the fighting... sending the island into a deep economic depression. During those lean post-war years, Hydriots again found salvation in the sea, farming the sponges that lived below the surface (sponge-divers here pioneered the use of diving suits). Gathering sponges kick-started the local economy and kept Hydra afloat.

In 1956, Sophia Loren came here to play an Hydriot sponge-diver in the film Boy on a Dolphin, propelling the little island onto an international stage. And the movie's plot - in which a precious ancient sculpture is at risk of falling into the hands of a greedy art collector instead of being returned to the Greek government - still resonates with today's Greeks, who want to reclaim the Acropolis marbles, stolen by Elgin.

Thanks largely to the film, by the 1960s Hydra had become a favourite retreat for celebrities, rich tourists, artists and writers who still draw inspiration from the idyllic surrounding. Leonard Cohen lived here for a time and wrote several of his better-known early songs on Hydra, including Bird on the Wire, So Long, Marianne, while living with Marianne Ihlen.

This note is pinned on the front door - these poor people, they must be inundated with fans knocking on the door.

George Condo, the Mad and the Lonely, at the Slaughterhouse Art Gallery in Hydra.

There were artworks in the cages where the animals were initially put as well as in the main space - to find out more about the gallery go here

I will have to be honest and say that I do not have much of an opinion on what we saw. I did not like them and they did nothing for me emotionally. I don't particularly like Francis Bacon's art, but I understand it, and I understand why he is considered an important artist. These left me cold, both intellectually and emotionally.

I have done a post on them primarily because, following on from my previous post I wanted to show the inside of the Slaughterhouse. Also, other people might like them.

So, I am copying some of the information we were given on the exhibition. 'The works in the exhibition offer depictions of the disparate souls in life, who have been rejected by society and who linger between states of madness and loneliness. Victims of their own internal circumstances, these characters are rendered in the abstracted, often eerie but, at the same time, humanoid-like manner that is distinctive of George Condo's idiosyncratic style... By reflecting upon the volatility of human emotions and the precarious nature of our mental states, Condo offers a psychological investigation of human nature and an empathetic critique of modern life'.