Monday, 24 October 2022

Heron


The heron is back. It took me a while to spot it between the other birds.




It's also changed its usual position.




So, here it stands, erect and still in the middle of the river Leam.



 

Friday, 21 October 2022

Ryton Pools and more

We've been back for almost two weeks now, and have been for lots of long walks as the weather has been quite nice here in the UK. One of these walks was to Ryton Pools which we thoroughly enjoyed.




It was a grey day with the odd burst of sunshine, and we were so grateful that there was no rain.


We got to the dipping pond only to find that there was no water: whether it's been drained or whether it was due to the dry weather in the summer, I do not know.




We took the narrow path that leads out of Ryton Pools onto Wappenbury Woods







one can see one of the pools from here



not a single water bird in sight - very unusual.


We left Ryton Pools and took this path that would take us to Wappenbury Woods




very narrow at times.




Wappenbury Woods on our right


and the ancient wood of Ryton Pools on our left.



We entered Wappenbury Woods and wandered around for a while. We got a bit lost, and when we asked three people we met they said that it would be another 5 miles to reach Ryton Pools. We decided that, given that we wanted to explore the pools it would make the walk too long, so we decided to retrace our steps and leave exploring the woods for another time.



The sun came out and everything was transformed



lots of acorns on the ground - it's that time of year



back to the spot where we could see the pool







We eventually got to the bird hide, but no water birds anywhere



the sand martin wall



by the stream



it's a beautiful walk



We got to the field where the donkey and the pony graze. As always, the pony ignored us but the donkey started approaching



and joined us, hoping for some food no doubt, but we did not have anything - we must remember next time.





We could see the second pool now



and eventually



reached the platform where the water birds assemble hoping for food - but it was empty




a few mallards spotted us though





and joined us.




Past the small railway line




the multi-coloured toy train is new. We walked to the car park and drove back home.


 

Thursday, 13 October 2022

Shapes of Stories - ceramic art at the Blender Gallery


Shapes of Stories - ceramic art at the Blender Gallery, Glyfada.




This is the second ceramic art exhibition I have seen in Greece, and given the revival of ceramics worldwide, we can expect more. Clay is becoming a medium of sculptural expression, a form that blends art design and also functions with traditional, modern and experimental techniques. It is very pleasing to see the move from the traditional functional imperative, to an art form.




Panagiotis Lezes

















Irini Theodosi

This work was inspired by Quernos, an ancient Greek vessel used in the Eleusinian Mysteries for the ritual sacrifice of food. The ceramic cluster of vessels and cavities are ready to receive offerings.




looking closer




Melina Xenaki





Natalia Manta












Janet Lines




Maria Alexiou

This work was created after the study of mushrooms. 'Fungi shapes are in themselves a frozen frame of a dance that unfolds. Mushrooms are to be searched for, hidden and fragile. Underneath what we discover is a whole new world. An endless structure that is integral to the development of entire ecosystems', says the artist.




Anna Karountzou, Stomata

Stomata means 'mouths' in Greek. Karoutzou is from Oia in Santorini, and the stoneware she uses is mixed with volcanic sand-gravel that she collected from Santorini.

















Maru Meleniou




Giorgos Trichas











Nikolas Athanasopoulos

The gallery website tells me that Athanasopoulos creates his pieces using 3D print ceramic technology. I have no idea how that works.





Philippos Theodorides




Alexandra Manousaki





Diane Alexandre, With Closed Eyes

Hand-built and carved mask with bronze details and white porcelain, depicting the Minotaur who represents the entrapment of the self, the impossibility to move past a destructive pattern, the oblivious blindness of the heart. Alexandre states that 'with closed eyes, we refuse to see ourselves, but also we totally trust someone else. This piece is a song to love, the one that hurts and the one that saves'.