This second part of the exhibition focuses on Surrealism, the Paris School, Art of the first part of the post-war decade, the 1960's, the Neo-Fauves and portrait-nude-still lives (1890-1961).
Paul Delvaux, The Vestals, 1972
Paul Delvaux, The Visitors of Mycenae, 1959
Eduardo, Naranja, The Ruined Times of Isadora, 1977
William Baziotes, Untitled, 1940
Rene Magritte, The Discovery of Fire, 1959
Albert Reuss, The Blue Shoes, 1948
Man Ray, The Mountain Cristal, 1950
Mikhail, Larionov, Still Life with Pears, 1930
Natalia Gontcharova, Among the Big Trees, 1916
Moise Kisling, In Front of the Window, 1925
Leonard Foujita, Milk Seller, 1965
Thanos Tsigkos, Abstract Construction
Andy Warhol, Portrait of Wayne Grentzky, 1983
Maria Lassnig, Remembrance of Buddy Frieberger, 1954
Walter Navratil, Cathedral
Antonio Recalcati, Preface
Bridget Riley, Byzantium, 1969
Anselm Kiefer, For Paul Celan, 1989
Stephen Mackenna, The Falling Woman, 1970-71
Cataldo Crescende, At the Time Circle of Life, 1990-92, (acrylic on plexiglas)
Karl Hofer, Madame at the Table, 1933
Pablo Picasso, Portrait of Martin Fabiani II, 1943
Francois Picabia, Portrait of Pablo Picasso, 1920-25
Joan Miro, King Ubu, 1966
Henri Laurens, Dialogues, 1951
Alberto Giacometti, Paris sans fin, 1957-62
Max Ackerman, Two Female Nudes Outdoors
Jean Metzinger, Bather, 1937
Rodolphe-Theophile Bosshard, Naked Woman
Tamara de Lempicka, Succulent Plant and Flask, 1941
Pictured here, six of the 12 exhibited etchings of David Hockney's illustration of C.P. Cavafy's poems
David Hockney, Cavafy in Alexandria, 1966
David Hockney, In Despair, 1923, Illustration for the Poems by C.P. Cavafy, 1966
David Hockney, In the Dull Village, 1925, Illustration for the poems of C.P. Cavafy, 1966
David Hockney, Two Boys, Aged 23 or 24, 1927, Illustration for the poems of C.P. Cavafy, 1966.
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