Sunday, 10 August 2014

Van Gogh - after Millet



Van Gogh at the Van Gogh Museum, in Amsterdam.

What delighted me most during my visit at the museum was the discovery of seven small paintings that I had not seen before. They were executed while Van Gogh was staying at the hospital in Saint-Remy-de Provence. He strived to have subjects during the cold winter months and seeking to reinvigorate artistically he did more than 30 copies of works by some of his favourite artists. The seven I 'discovered' were copies after, or inspired, by Jean-Francois Millet. Rather than replicate, Van Gogh sought to translate the subjects and composition through his perspective, colour and technique. I think that those seven are some of his best work.

The photographs I took had too much reflection and are useless. I have searched the internet and could not find many copies. The first three below are from the Museum's facebook page, and the other two I honestly cannot remember where I found them as my search was so wide. The colours of the first three are exact reproductions of what I saw in the museum, but the last two are not quite right - the colours are wrong, particularly in the Sheep-Shearer. I could not find any copies of the remaining two: The Wood Cutter, and Peasant Woman Bruising Flax. I have written to the Van Gogh museum asking where I could find 'good' copies of these paintings, but have received no answer.

I have also included Evening (after Millet) a much larger painting.




 
Peasant Woman Binding Sheaves, 1889 
 
 
 


The Sheaf-Binder, 1889





The Reaper, 1889




 
The Sheep-Shearer, 1889






The Thresher, 1889

 
 
 
 
Evening (after Millet), 1889.
 
 

4 comments:

  1. These are delightful studies, Eirene, thank you. I also have never seen them in reproduction. They seem to me to say a great deal about Van Gogh himself, and make me curious to compare them with the Millet originals.

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    1. I loved them, Olga, and I know that I am going to want to go to the museum to see them again, next time we're in Amsterdam. They need to be seen in the original - it was a real delight.

      And I agree with you that they seem to say a great deal about the artist himself - an extraordinary man. I remember in my teens discovering his work, and then reading the biography by Irving Stone and being bewitched by the artist, his life and the work.

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  2. You probably found this out - but just in case you didn't: there was an exhibition in 1998 at the Musee d'Orsay of both Millet and Van Gogh, appropriately enough titled Millet/Van Gogh. http://www.musee-orsay.fr/en/events/exhibitions/in-the-musee-dorsay/exhibitions-in-the-musee-dorsay/article/millet-van-gogh-6743.html?cHash=36e1d081d9

    I see that there is one copy of the catalogue available from a bookseller in Italy, in case you are interested: http://www.abebooks.co.uk/book-search/title/millet-van-gogh/author/louis-van-tilborgh-marie-pierre-sale/page-1/

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    1. How clever of you, Olga. No, I had not found out, but will look it all up.

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