Theotimata (On History) at EMST, (National Museum of Contemporary Art) in Athens.
A wonderful glimpse into Greek contemporary art. What I found particularly pleasing about this exhibition was the number of women artists featured.
This is a group show exploring the idea that the knowledge of the past aids our interpretation of the present and is a guide to the future.
The exhibition consists mainly of installations as seems the case with a lot of contemporary art.
Erato Tagaridi, Asphyxia, 2016-2020, (metal tubes, rubber, textile)
looking closer
Filippos Vasileiou, Another Thing, 2016-2020 (installation and performance)
Klitsa Antonious, No Photographs Should Be Taken Beyond This Point, 2020. (two metal signs, mechanical device, light, sound)
electric motor, LED lights, sensors, sound)
Marios Spiliopoulos, from the 'War' Series
Nikos Papademitrious, Monument to Betrayed Heroes, 2020, (bronze cast, revolution flag, velvet hood, memorancum photocopies, plinths)
Dimitris Alithinos, Carpent Tua Poma Nepotes, 2010, (acrylic, canvas, fabric)
Angelos Antonopoulos, Confinement, 2017, (sculpture with sound)
Angelos Antonopoulos, Confinement, 2017
Pantelis Lazaridis, Spectators/Fragment 2020, (mannequins, togas, clothing, shoes, metal cart, acrylic paints and varnishes)
Efsevia Mihalidou, Metabasis, 2020, (wire, paper, salt, ashes, coal and rope)
Yorgos Lazongas, From the series 'Columns', 2010 (drawing)
Evi Kirmadikou, You 3, 2020
detail
Efi Fouriki, Transcriptions, 2019, (black and white photograph and video projection with sound)
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