El Greco (Domenicos Theotokopoulos), The Concert of the Angels, 1608, (oil on canvas) at the National Gallery, Athens.
This strange, yet 'modern' painting was designed to hang high above the head of the viewer, this is how it hangs in the National Gallery, and it was hard to photograph.
This is a striking composition that brings together a group of angels who are making music. The angels have no wings and their robes sway with movement. Their sinuous forms, from the figures earnestly playing their instruments to those devotedly focusing on the sheet music, epitomise the elongation and exaggerated movements typical of the Mannerist style. Brilliant hues of red and green contrast with the soft, ethereal skin tones. The use of light is subtle but effective, casting gentle shadows and highlights that give form and volume to the angelic musicians. The expressions of the angels are serene and concentrated suggesting a divine focus and purpose in their music-making.
El Greco was born in Crete, Greece, moved to Italy and studied under Titan before moving to Spain where he stayed until the end of his life. His unique style developed into a fusion of Byzantine art, that of the Renaissance and Mannerism.