I have been following George Hadoulis' work for years, his progression from figurative, to abstraction and expressionism, to his jewel-toned landscapes, vibrant rock paintings and studio views and have loved all of it.
I have not been that keen on his paintings of the Acropolis which have left me indifferent, and there was one of those at the art fair:
In the last few years he has expanded his repertoire to include pottery and the result is vessels that are exuberant, colourful, bursting with life.
Karnak, 2022, (glazed ceramic)
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