at Compton Verney, Warwickshire.
Drawings made by over 50 different artists in the Netherlands, in the 16th and 17th centuries.
The artists approached the task in three main ways: drawing from life or from direct observation; drawing from the mind; drawing from memory.
Bol was one of Rembrandt's best pupils and his early drawings, like this one, were highly influenced by the master.
Unknown student or follower of Rembrandt Harmensz, van Rijn, Sleeping Woman, 1635-70
Rembrandt Harmensz van Rijn, Head of a man wearing a pointed beard and a cap, 1647, (black chalk)
The transition from fantasy to naturalism within Netherlandish drawing can easily be seen in landscapes. In the 16th century, landscape started to be recognised as its own genre, rather than as a backdrop to a narrative scene. From the beginning of the century, depictions of landscapes primarily derived from an artist's own imagination, often informed by works by Italian masters, such as Titian. The growing interest in naturalism from the end of the 16th century affected landscape drawing as artists increasingly left their studios to study the natural world up-close.
Seeing the drawings in the next two sections, made me sooo homesick for Amsterdam.
Village and City Life:
Jan Brueghel the Elder, Study with figures, horses and carts, 1602
Jan Brueghel the Elder, Villages going to the market, 1605-20
Gerbrand van den Eeckhout, The meeting of Rebecca and Eliezer at the well, 1661, (oil on canvas)
Gerbrand van den Eeckhout, The meeting of Eliezar and Rebecca, 1661
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